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Leah Sandals Talks Canadian Art with Linda Rodeck

Writing for the Canadian Art Magazine, Leah Sandals talked with Linda Rodeck about our Fall 2017 Canadian Fine and Inuit Art auctions, the global market for Canadian art, and Waddington's focus on develop new buyers within existing Canadian markets.

“The Inuit sale had a 90 per cent sell-through rate,” says Linda Rodeck, senior Canadian art specialist at Waddington’s. “We certainly see international interest in the Inuit market from France, Germany and the US.” However, when it comes to developing international market interest in other Canadian artworks, Rodeck is more skeptical about prospects. “When non-Canadians have bought [historical Canadian art] from us, it has generally been people with a sentimental attachment to this country,” Rodeck says. Like: “my granny lived in Montreal, or my grandpa worked on the railway.”

As a result, Rodeck says, she and her Waddington’s colleagues remain focused on trying to develop new buyers for Canadian art within existing Canadian markets. “Some of our biggest spenders Monday [at our fine Canadian art auction] had never bought at auction before—first time ever at auction,” Rodeck says. “Also, the average spend was $12,000, which is a significant amount of money for a decorative object.”

Among the top sellers at Waddington’s Monday night auction were works by Canadian women—many of whom are still, perhaps, relatively unknown or undervalued outside of the Emily Carr–Marcelle Ferron nexus. In the Inuit sale, Rodeck noted, there were some people specifically looking to collect women artists. Furthermore, Waddington’s set a new record on Monday of $43,200 (including buyer’s premium) for Montreal painter Regina Seiden’s Gathering Spring Bouquets (originally, it was estimated at just $6,000 to $8,000). Daphne Odjig’s canvas Walking with Donald also experienced intensive bidding to achieve $48,000 with buyer’s premium, doubling its high estimate of $20,000.

Works by Maud Lewis and Doris McCarthy also enjoyed interest—once collectors were made aware of who they were. “Doris McCarthy was actively painting for 55 years or more,” says Rodeck. And while “the people who come to the sale are educated and knowledgeable, I can’t tell you how many people … didn’t know her work, who hadn’t heard of her despite two biographies and her retrospective at the McMichael. It is interesting to me that even the Canadian art cognoscenti don’t know someone who should be a household name.”

McCarthy’s 1999 canvas Storm Clouds of Keel eventually went for $36,000 including buyer’s premium. Estimate was $20,000 to $30,000.

So where does all this leave the Canadian art market? This is an issue that will be mulled over in days and weeks to come, no doubt. For one thing, Canada’s fall auctions aren’t over yet. There’s still the Consignor sale of important Canadian art at the Gardiner Museum Thursday, and a Concrete Contemporary auction at Waddington’s this coming Monday. Add to this a passel of year-round online auctions for all of Canada’s major houses and there are plenty of shifting trends to be plumbed.

“I would certainly welcome a real international interest in what we do,” says Linda Rodeck of the Canadian vs. global market issue. But until then, she will be taking her signals from the consistent goal of “how do we keep selling great things to clients who will come back.”


Posted: 12/12/2017 12:00:00 AM

Doug Maclean's take on our Canadian & Inuit Art Auctions

Waddington’s Canadian Fine Art Auction: Toronto, Nov. 20 by Douglas Maclean for Galleries West

After three previews, the fresh-to-market works found by senior Canadian art specialist Linda Rodeck began to fall into place in my mind. Her strategy is to go beyond gallery and dealer consignments to pursue works from private collections. Joachim Gautier is a perfect example. Although not a household name, he often painted with his good friend A.J. Casson, and in the case of Mount Albert, circa 1940, which sold for $6,000, surpasses him in quality.

The sale had good wings early. One of my favorite pieces, Yves Gaucher’s Etude pour progression bi-ascendante, gained attention and sold well beyond my expectations at $11,400.

Doris McCarthy was represented by some good paintings and finally gained ground in value. Her Starred Ice from Twin Otter sold for $20,000, followed soon after by a gem done in 1945, Moonlight on Percé Rock, which sold at $8,750. McCarthy’s independence shows – it’s not the tourist view painted by so many, but a long-distance nocturne in grey and black. One more nod to McCarthy: Storm Clouds of Keel, 1999, a large, beautifully executed painting based on her travels in Ireland, sold for $36,000.

There were solid results throughout the sale for Group of Seven members Casson, A.Y. Jackson, Edwin Holgate and J.E.H. MacDonald. The latter’s tiny jewel, Georgian Bay, sold for $45,600. Randolph Hewton, the founder of the Beaver Hall Group, was represented by two absolute gems, including Saint-Joseph de Lévis, which sold at $21,600.

Although the pace slowed in the sale’s latter half, few lots were passed, and overall values were within reach for works one rarely sees.

Waddington’s: Inuit Art, Toronto, Nov. 21

I haven’t commented on Indigenous sales in the past, but they were noteworthy this fall.

If one has fine early Indigenous works, the market is strong. Waddington’s Inuit preview was on view during the Canadian Fine Art exhibit, where it stood the test of quality and comparison.

Some successful results included Johnny Inukpuk’s Woman Cleaning a Fish, circa 1953, at $21,600, and Osuitok Ipeelee’s, Caribou on Hind Legs, circa 1985, at $28,800. This latter was a stunning piece with imaginative beauty. Also worth noting was an incredible stonecut print by Josephine Pootoogook, Joyfully I See Ten Caribou, 1959, which sold for $12,000.


Posted: 12/11/2017 12:00:00 AM

Galleries West Spring Auction Review - Douglas Maclean

AUCTIONS: Spring 2017 a Roller-Coaster Ride by Douglas Maclean, Galleries West June 18, 2017 3:20 PM

Waddington’s, Toronto

Linda Rodeck and her small staff search out works from new sources. In general, that means works from private collectors or corporate collections downsizing or needing to sell. Consequently, the mix of art is less predictable, but often refreshing.

One such piece was Clark McDougall’s Talbot Street (circa 1950). McDougall is not well known across the country, but he was an inventive painter whose use of outlining and punchy colour distinguishes his work. This was a real beauty and sold well over estimate at $19,200.

Also of note was a special small painting by Jean McEwen, Composition (1962). The size made it desirable as did the subject, a thick red surface on a black ground. This gemlike work sold well for $66,000, double the top estimate.

Throughout the sale, works by A.J. Casson generally did well. One small oil sketch, Lake of Two Rivers (1947) stood out. This is the period when Casson came alive with more abstraction, moving forms and excellent design. The piece sold for $50,400, well over the high estimate. Rodeck often includes fine abstract painters in her sale, and a number were worth noting, including Otto Rogers, William Perehudoff, Jack Shadbolt, Gordon Rayner, K.M. Graham and Harold Klunder.

Overall, the sales were fine, but the large cohort of younger collectors should be buying established artists. The buying audience needs more education to succeed, especially when paintings fall below retail values. An educated collector chased down and bought Iskowitz’s Night Reds-A (1981). Although large, this one is perfect, and at $52,800 it was a good buy, especially compared to the Iskowitz at Heffel that sold for $157,000. Certainly, they were from different periods, but Iskowitz painted well throughout his career. It’s just a case of finding the "snappers," which this one was. Everything came together for the artist.

This sale also had some one-of-a-kind historical works, which Rodeck likes to search out. They included rare pieces by William Armstrong (1822-1914) and Frederick Verner (1836-1928) as well as a beautiful sculpture by Louis P. Hébert (1850-1917).

One last piece that caught my eye, mostly for its pure modernist style, was a sculpture by Jack Beder, Tree Image, Sculpture #43 (1966). Intuitive and inventive, it reflected that era of design perfectly. It sold to active bidding at $9,600, a record for the artist. Beder was from Montreal and well established within the community, though not part of the Montreal hierarchy. He independently produced solid paintings, sculptures and drawings throughout his life. In the 1960s, he did his first tour to Jasper Park and produced fine mountain paintings. It’s worth watching for them, as they appear occasionally in the West.

Overall, the results for Waddington’s were good. But the sale also showed the season’s unpredictability. The positive to all this is that, if researched, seen and liked, good buys are still possible.

Posted: 6/21/2017 12:00:00 AM

CTV Coverage of Canada 150 Auction

Jackie Dunham, Published Thursday, June 15, 2017 3:26PM EDT Last Updated Thursday, June 15, 2017 7:14PM EDT

The Canada 150 Auction will offer 190 pieces of Canadian history and culture from across the country from as early as the days of the woolly mammoths to a modern Canadian diamond discovered in the Northwest Territories. Waddington’s will be hosting the auction on June 27, ahead of the 150th anniversary of confederation on July 1.

Sean Quinn, a decorative arts specialist who’s leading the auction, told on Thursday that they came up with the idea for a celebratory sale a year ago. He said they spent the last year collecting consignments that would be artistically, historically and culturally representative of Canada. “It wasn’t meant to be an auction of things of great value,” Quinn explained. “We were more interested in telling individual stories. Everything has a story.”

Some earlier pieces to be auctioned off include a signed letter from William Lyon Mackenzie in 1849, the year he was pardoned for his role in the Armed Rebellions of 1837; a “presentation trowel” Sir John A. Macdonald used to lay the foundation of Toronto’s Empire Club in 1875, and an early Canadian Red Ensign flag, circa 1870, that is estimated to be worth between $30,000 and $40,000.

More modern lots in the collection include a pair of acrylics on canvas by famed indigenous artist Norval Morrisseau painted in the 1978, a banner which hung in Maple Leaf Gardens in the 1970s to honour hockey legend King Clancy, and the Toronto Blue Jays’ first scorebook magazine as well as a ticket to their inaugural game against the Chicago White Sox in 1977.

Quinn said his favourite piece in the auction is a wrought iron spike from HMS Fury, a ship sent from England to locate the missing Franklin Expedition that disappeared when they went searching for a viable shipping route in the Arctic’s Northwest Passage in 1845. Quinn said the spike was discovered on what is now called “Fury Beach” in Nunavut by a member of the Canadian government in 1972. “That’s a very cool thing in my opinion,” he said. “It’s just a rusty old nail but it has such an incredible story.”

The estimated values of the items range from $100 to more than $100,000. Quinn said the lot expected to fetch the highest price is artist William Kurelek’s series of “Huronia Paintings” that depict the story of Ste. Marie Among the Hurons. The paintings are estimated to be worth between $80,000 and $120,000. The art specialist said the Canada 150 Auction has already attracted a lot of interest from potential buyers. “We’re just very excited about it. It was a lot of fun putting this together and it was a real learning experience,” he said.

CTV News June 15 2017

Posted: 6/16/2017 12:00:00 AM

Specialists Speak: 2017 Trends & Predictions in Collecting

Waddington's experts Holly Mazar-Fox and Linda Rodeck were asked to share their views on 2017 trends. As they look into their crystal balls, read on to hear their thoughts and predictions for next year's art market:

“A few years back, you might have heard collectors, dealers, and auctioneers lamenting the fact that the supply of great art was drying up. The talk was that there was increasingly less fresh blue chip work available to sell and auctions would eventually devolve into re-offering or ‘churning’ bought-ins and other stale stock. Clearly that prediction was erroneous.”

“In Canada, the fall 2016 auction season saw over $50 million change hands in a three-day period. This was unprecedented. And we know that great prices realized at auction serve as honey to the bee, drawing out long hidden treasures ripe for consignment. Across the board, at all prices levels: quality always rules.”

“We’re also witnessing an increasing openness to subjects, periods, and media that may have been overlooked in the past. There is a greater appetite for the atypical or off-trend, provided these items possess a high calibre of artistic competence. This openness makes us feel buoyant about the next quarter."

"Our clients are increasingly catholic in their taste, exhibiting a high degree of self-determination when it comes to collecting and acquiring across multiple categories. They have both a willingness and capacity to spend and they respond to the bounty of property we bring to them with an enthusiasm and exhilaration we haven't seen in some time. We’re obsessed about how to improve the auction experience and know that leveraging technology is key – our prediction is that this pull towards innovation will continue to strengthen in 2017!”

Posted: 12/14/2016 9:00:00 AM

Waddington's Art of Canada Auction Results

TORONTO, May 31, 2016 (GLOBE NEWSWIRE) -- Profiling the best of Canadian art from coast to coast to coast, Waddington's inaugural Art of Canada auction presented a unique combination of works created by our country's artistic masters. The May 30, 2016 auction included works by Inuit and First Nations artists as well as Canadian historical, modern and contemporary artists.

Linda Rodeck, Vice President Fine Art, Waddington's noted, "We know that the best collectors in this country have always been receptive to an inclusive view of our cultural and artistic heritage. Their enthusiastic response to this auction cements our commitment to breaking down the artificial categories within Canadian Art."

Appreciation for all genres of Canadian art was reflected in excellent prices for Canadian historical works by Frederick Arthur Verner; works by the Group of Seven's Lawren Harris, Frank Hans Johnston, J.E.H. MacDonald and their associates Emily Carr, Frederick Banting; and contemporary works by Ulysse Comtois, Jean Albert McEwen, and Takao Tanabe. Exceptional results were also achieved by works by Inuit artists Kiawak Ashoona, Josephie Pootoogook, and Joe Talirunili.

Highlights of the auction include:

Frank Hans Johnston, Waterfall, Algoma – oil on panel, $204,000
Lawren Harris, Algoma Sketch – oil on panel, $180,000
Jean Albert McEwen, Blason du Chevalier Rouge – oil on canvas, $85,000
Ulysse Comtois, Matière – Lumière - oil on canvas, $62,400
Joe Talirunili, Migration – stone sculpture, $55,200
Kiawak Ashoona, Bird Spirit – stone sculpture, $26,400
Joe Talirunili, Archer – stone sculpture, $24,000
Emily Carr, Beaver Pot – painted ceramic, $20,400

Christa Ouimet, Senior Specialist Inuit Art, observed that clients who travelled from the U.S. and the U.K. specifically for the Inuit art were also delighted to be introduced to "Canadian art" during the public previews. Rodeck concurred that the Art of Canada concept was less of a juxtaposition, and more of a complementary alignment, for many of her traditional Canadian Fine Art collectors.

Waddington's conducted its first auction of Canadian Art in 1967 and first auction of Inuit Art in 1978. Prices are quoted in CDN and include buyer's premium.

Highlight details

Frank Hans Johnston, O.S.A., A.R.C.A.
Pre-sale estimate $100,000–150,000
Price realised $204,000

Lawren Stewart Harris
Pre-sale estimate $150,000–175,000
Price realised $180,000

Jean Albert McEwen, R.C.A.
Pre-sale estimate $70,000–90,000
Price realised $85,000

Ulysse Comtois
Pre-sale estimate $6,000–8,000
Price realised $62,400

James Edward Hervey MacDonald, O.S.A., R.C.A.
Pre-sale estimate $15,000–20,000
Price realised $50,400

William Kurelek, R.C.A.
Pre-sale estimate $5,000–7,000
Price realised $22,800

William Kurelek, R.C.A
Milking in Fly Season (Milking Cow in Fly-Season), Cooling Milk, Making Chop, Castrating Pigs, Feeding Hay Cattle in Winter (Feeding Hay from the Loft), Making Butter (Making Butter in Sealers), Shovelling Grain at Threshing Time (Shovelling in the Granary during Threshing), Formaldehyding Grain, Chopping Mangles
Pre-sale estimate $60,000–80,000
Price realised $84,000

Frederick Arthur Verner, O.S.A., A.R.C.A.
Pre-sale estimate $20,000–30,000
Price realised $50,400

Pauta Saila
Pre-sale estimate $40,000–60,000
Price realised $60,000

Joe Talirunili
Pre-sale estimate $15,000–20,000
Price realised $55,200

Frederick Grant Banting
Pre-sale estimate $12,000–15,000
Price realised $38,400

Kiawak Ashoona, O.C., R.C.A.
Pre-sale estimate $10,000–15,000
Price realised $26,400

Josephie Pootoogook
Pre-sale estimate $6,000–9,000
Price realised $15,600

Pre-sale estimate $6,000–9,000
Price realised $15,600

Johnny Inukpuk, R.C.A.
Pre-sale estimate $10,000-15,000
Price realised $18,000

Joe Talirunili
Pre-sale estimate $4,000–6,000
Price realised $24,000

Alfred Joseph Casson, O.S.A., P.R.C.A.
Pre-sale estimate $20,000–30,000
Price realised $33,600

Marion Long, O.S.A., R.C.A.
Pre-sale estimate $3,000–5,000
Price realised $18,000

Takao Tanabe
Pre-sale estimate $15,000–18,000
Price realised $31,200

Takao Tanabe
Pre-sale estimate $9,000–12,000
Price realised $24,000

About Waddington's
Waddington's, a Canadian auction and appraisal company, has been in business since 1850, serving Canadian and international clients in a diverse offering of specialty areas including Asian, Canadian, Contemporary, First Nations, Inuit and International Art, as well as Decorative Arts, Fine Jewellery and Fine Wine & Spirits.

Waddington's Spring Auction Season continues June 13, 2016 with Asian Art. Visit for the full auction schedule.

Waddington's Auctioneers
275 King Street East
Toronto, Canada, M5A 1K2

Posted: 6/2/2016 9:00:00 AM

Waddington's Sets Records at Canadian Fine Art Auction

TORONTO, Nov. 24, 2015 (GLOBE NEWSWIRE) -- Waddington's Auction of Canadian Fine Art on November 23 set records, saw estimates double, triple and quadruple, and realized enormous returns for paintings that had been off the market for decades, when they were reintroduced to collectors for their competition last night.

Rarity, Quality, and Fresh-to-Market were the watchwords of the evening and those lots which possessed those highly sought after qualities garnered the highest hammer prices. Linda Rodeck, Vice President Fine Art, Waddington's enthused: "Our November auction of Important Canadian Art represented the extreme ends of the timeline for Canadian art with exceptional examples from the early topographical work of F.A.Verner (1874) and portraiture of George Théodore Berthon (1845), to modern and contemporary works by Dallaire (ca. 1960) and Dorland (2007)."

Rodeck adds that new records were established at those extreme ends: $94,400 (nearly five times estimate) for one of the earliest Frederick Arthur Verner Indian encampment scenes ever to come to market (based on a sketch in the collection of the National Gallery of Canada); and the dynamic oil, acrylic and spray paint on canvas by Kim Dorland, who was born in 1974, which exceeded Waddington's previously held auction record for this hot young artist. Another record breaker was the exquisite Portrait of a Young Lady, 1845, by portrait painter to the upper echelons of 19th century Canada, George Théodore Berthon, which sold for $59,000.

Waddington's cover lots were also the darlings of the previewing and bidding crowd. William Kurelek's diminutive Skating Party (7.5 inches x 11.75 inches) dramatically outperformed its pre-sale expectation ($25,000-30,000) selling for triple its estimate at $82,600. Jean-Philippe Dallaire's Still Life wowed collectors in preview and left them breathless when it quadrupled the pre-sale expectation of $20,00-30,000 selling for $88,500.


Frederick Arthur Verner
Ojibway Camp at Northwest Angle, Lake of The Woods

George Théodore Berthon
Portrait of a Young Lady

Kim Dorland
Swimming in the Lake

Florence Carlyle
The Story

Waddington's will offer an online auction of Canadian Fine Art in March 2016, and its Spring 2016 Canadian Fine Art Auction in May 2016. For more information visit

Posted: 11/24/2015 12:00:00 AM

Spring sales reasonable despite struggling economy

Auctions at Waddington's Canadian Fine Art in Toronto were interesting, even viewed online from my home. A piece from a New York collection by Lionel Lemoine Fitzgerald, Grain Silos, Saskatchewan, sold well at over $20,060. One of William Kurelek's best self-portraits, His Old Man's Pipe, sold for $64,900. A lively 1946 abstract by Stanely Cosgrove, an artist who is often overlooked, sold easily for $42,480. My favourite abstracts were a 1976 painting by Yves Gaucher that sold for $47,200 and Voyage, by Toronto painter John Meredith, which sold well for $42,480. Both painting carried estimates of $20,000 to $30,000. It's always good to see contemporary art find a better price point and a home in a good collection.

One of the best stories was a small work on paper by Jack Bush. It was owned by the original collector via the former Park Gallery in Toronto, and found a new home at $21,240. This 1958 gem likely benefited from the artist's recent retrospective at the National Gallery of Canada. Finally, Alex Colville's Sunrise, a 1970 serigraph from an edition of 70, made good value at $30,680. In my view, it's high time people recognized that his serigraphs are amongst his best work. Over all, it was a good sale with mixed results.

Doug Maclean
Galleries West, Fall/Winter 2015

Galleries West

Posted: 9/22/2015 9:00:00 AM

Select Artwork Prices Double at Canada’s Fall Auctions

Selected artwork prices doubled—and sometimes more—this week at Canada’s fall art auctions.

Among the highlights was Sketch for Tracks and Traffic, a small 1912 oil-on-board sketch by Group of Seven member J.E.H. MacDonald, which went for $200,600 (including buyer’s premium) at the Waddington’s auction on November 22—amounting to some four times the pre-sale estimate of $40,000 to $50,000. A sketch for a larger painting that is owned by the Art Gallery of Ontario, it depicts an early 20th-century industrial scene at the foot of Bathurst Street in Toronto.

Also coming in strong at the Waddington’s auction was a small medium sketch by fellow Group of Seven member Lawren Harris, which sold for $188,000 (including buyer’s premium) against an estimate of $75,000 to $100,000.

Buyer interest also surged for Sybil Andrews’s linocut print Speedway (1934) at Waddington’s. Estimated at $45,000 to $60,000, it sold for $106,200 (including buyer’s premium). Andrews, a Brit who migrated to Campbell River, BC, in 1947, was known for her dynamic imagery of labourers, sport and other phenomena; she originally designed the Speedway image for a London Transport Board poster, though it was never executed as such.

Posted: 12/1/2014 12:00:00 AM

Lawren Harris works fetch strong prices at Waddington's auction

It was a tale of two Lawren Harris canvases at Waddington's spring auction Monday evening, with one highly touted work fetching a price just shy of its low estimate and an higher-than-expected sale for another, lesser known canvas.

Group of Seven founder Harris’s Lake Superior Painting X, billed the highlight of the Toronto auction house's offerings this season, sold for just over $2.47 million.

The painting was purchased by a couple from western Canada who placed their bids by phone. It was Waddington's largest sale of the evening.

Entering the Canadian art market for the first time, Lake Superior Painting X was estimated to fetch between $2.5 and $3.5 million, with hopes of setting a new artist record...

Posted: 5/28/2014 12:00:00 AM

Lawren Harris, Painters Eleven art await auction night

Explosive impulses and unpredictable circumstances often collide to create artistic masterpieces, but these factors also arise at the auction house, inspiring record highs and disappointing lows.

"It's theatre and commerce colliding at auction night," says Linda Rodeck, vice-president of fine art and senior specialist of Canadian art at Waddington's auction house in Toronto.

Whether this season will bring tragedy or comedy is yet to be seen, but Waddington's is already buzzing with anticipation. The highlight of its Canadian fine art auction this spring is Lake Superior Painting X by Group of Seven founder Lawren Harris. The painting is estimated to fetch between $2.5 and $3.5 million...

Posted: 5/23/2014 12:00:00 AM

The Lawren Harris canvas that could set auction record

Hard to believe in a world where impermanence seems the only permanence … but the record for the most money ever paid at auction for a Canadian work of art has withstood all comers for more than 12 years. But this record, of just less than $5.1-million for an 1846 Paul Kane painting titled Scene in the Northwest – Portrait, stands a good chance of being eclipsed later this month in Toronto. The contender? A large, starkly powerful canvas by Group of Seven founder Lawren Harris hitherto never offered for sale or even publicly displayed...

Posted: 5/10/2014 12:00:00 AM

Waddington's art auction

Canadian fine art will be auctioned in Toronto on Nov 27. Waddington's VP Fine Art Linda Rodeck gives us a preview of what's up for sale

Posted: 11/26/2013 12:00:00 AM

When investing in the Canadian art market, 'look where people aren't looking'

Art dealers and auctioneers like to tout the growing international recognition for Canadian art. The Group of Seven or Emily Carr are attracting more foreign buyers, and the Canadian market is catching on, some say.

But "the fact of the matter is, it's still Canadians collecting Canadian art with very, very few exceptions. You can almost count them on one hand," says Linda Rodeck, vice-president at the auction house Waddington's in Toronto and a former managing director at Sotheby's Canada, which has discontinued its Canadian art auctions.

Hyping foreign investment in Canadian art or art as a commodity shouldn't be the function of the art community, she argues.

"I don't believe that we want to market what we are doing as an investment. It's not the way I approach it at all. Because you know what happens? You get this crazy, momentum investing, which doesn't do anybody any good in the art world."

Ms. Rodeck points to the Keynesian beauty contest in which some bet on stocks, not for the fundamental value of a company, but for what they perceive others think the value could be. If applied to art, it becomes buying based on name recognition and market momentum, and less and less on the work itself.

"Can you see how far removed you are from the aesthetics, which are supposed to drive you?" Ms. Rodeck says. "And then it becomes a little bit of a game of hot potato to some degree, finding someone who perhaps knows a little bit less than you do, that you can pass your painting on to."

The momentum can arise from what museum curators are showing, particularly as foreign museums mount exhibitions of Canadian works. It can have a positive effect, though, on recognition for leading contemporary Canadian artists such as Kent Monkman, Shary Boyle and others...

Posted: 11/21/2013 12:00:00 AM

Linda Rodeck Leaves Sotheby’s, Joins Waddington’s

Linda Rodeck, who until recently had been managing director, Canada, at Sotheby’s, is moving to Waddington’s as vice-president.

She is due to begin her new position at the Canadian art auction house on August 6.

The move marks a return to Waddington’s for Rodeck; from 1991 to 2004, she partnered with Geoffrey Joyner, and this included three years with Joyner Waddington’s.

“We’re just delighted to have her on board again,” said Stephen Ranger, vice-president, business development, at Waddington’s.

In 2004, two years after Waddington’s acquired Joyner’s auction firm, Rodeck founded her own private art-consulting business. In September 2010, she joined Sotheby’s.

Rodeck’s return to Waddington’s also marks a wider set of changes at the auction house.

Geoffrey Joyner, formerly president of the Joyner division of Waddington’s which handled fine Canadian art, is stepping back from day to day activities to act as senior advisor after 45 years in the art auction business...

Posted: 7/3/2013 12:00:00 AM

Waddington's sets new direction for Canadian art market

A recognized leader in Canada's art marketplace, Waddington's sets the bar at a new level for the industry. With amped up leadership and innovative new programs, Waddington's is redefining the role and function of the traditional auction house.

Linda Rodeck to lead Waddington's Canadian Fine Art Division
Linda Rodeck, one of Canada's most respected Canadian art experts, is returning to Waddington's as Vice President, Waddington's Fine Art. Ms Rodeck joins a distinguished and accomplished leadership team, headed by Duncan McLean, President; Stephen Ranger, Vice President Business Development, and a roster of specialists in Inuit Art, International Art, Asian Art, Decorative Arts and Jewellery. Ms Rodeck's most recently served as Managing Director of Sotheby's Canada. Her 20+ year career highlights include partnering with Geoffrey Joyner from 1991 to 2004, which included three years with Joyner Waddington's and founding her own private art consultancy. Ms Rodeck serves on the Board of Trustees of the McMichael Canadian Art Collection, Kleinburg, and has been active in many philanthropic activities, including the Canadian Art Foundation's Annual Gallery Hop and serving on the foundation board of Bloorview Children's Hospital...

Posted: 7/3/2013 12:00:00 AM

Waddington’s retiring Joyner division, hiring former Sotheby’s VP

The decision by Sotheby’s Canada in February this year to get out of the live and online auction business seems to have been the signal for a larger overhaul of the country’s resale art market. The latest ramification came Wednesday with Toronto-based Waddington’s announcing that it’s “retiring” its Joyner division for sales of “important Canadian art” and hiring former Sotheby’s Canada vice-president/ managing director Linda Rodeck as vice-president of a restructured division, Waddington’s Fine Art, with direct responsibility for Canadian art under the moniker Waddington’s Canadian Fine Art...

Posted: 7/3/2013 12:00:00 AM


Canadian Art Select Online Auction
September 8 - 13, 2018

On View:
Sunday, September 9
from 12:00 pm to 4:00 pm
Monday, September 10
from 1:00 pm to 7:00 pm

Concrete Contemporary Art Auction
October 20 - 25, 2018

On View:
Sunday, October 21
from 12:00 pm to 4:00 pm
Monday, October 22
from 1:00 pm to 7:00 pm

Canadian Fine Art Auction
Monday, November 19, 2018 at 7:00 pm

Friday, November 16
from 12:00 pm to 5:00 pm
Saturday, November 17
from 11:00 am to 5:00 pm
Sunday, November 18
from 11:00 am to 5:00 pm
Monday, November 19
from 10:00 am to 12:00 pm